2021

FROM THE DISCOMFORT OF MY SPACE, I DREAM OF HOLDING YOU AGAIN... YET YOUR IMAGES ARE ALL I HAVE

This publication is a deeply evocative visual narrative emerging from the global pandemic’s profound impact on personal relationships and self-perception. Centered on the theme “seeing others, seeing ourselves,” it captures the third-year photography students’ exploration of identity through diverse artistic mediums—from traditional lens-based photography to collage, video, and scanography. The work reflects on isolation, digital communication, and the evolving dynamics of human connection, and it has been showcased as part of prestigious exhibitions like Maximum Exposure and the Scotiabank CONTACT Photography Festival.


In my role as graphic design and print director, I led the design, production, and exhibition processes to ensure a visually cohesive and engaging experience. Utilizing Adobe Creative Suite tools such as InDesign and Illustrator, I meticulously managed typography, layout, and sequencing, all while collaborating with faculty, students, external artists, print vendors, and other creative partners. This collaborative approach not only enhanced the publication’s aesthetic quality but also boosted student engagement across digital and print platforms, all achieved on schedule and within budget.

  • Open book, left page mostly blank, right page with dense text.

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  • Open book: photos and text layout on white pages; collage of images including trees and figures.

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  • Magazine spread, two photographs. Left: Portrait, person with head covering. Right: Person resting in bed with sunlight.

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  • Spread of an open book. Left page: Two grayscale portraits. Right page: Hands superimposed over cityscape.

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  • Open book: leg with ankle bracelet, hair shots, abstract design, and hand over foliage.

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  • Open book with photos: a hand shadow with flower, and couple sitting on bed, bedroom.

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